Wednesday, September 30, 2009

Caught or Captured Thursday in DUMBO

© Charles Fréger and Bill Sullivan
On Thursday after teaching I'm heading across the river to DUMBO for first Thursday and one show in particular. Good friend Bill Sullivan will be showing work alongside Charles Fréger at the Caption Gallery.

This will be the first of a series of shows featuring work by photographers in the POC America collective, of which I'm very pleased to be a member.

Here are the details:
Caught or Captured: Portraits by Bill Sullivan and Charles Fréger
October 1-November 25, 2009
Caption Gallery
55 Washington Street, Suite 802
Brooklyn, NY
718-504-7991

Opening Reception, Thursday, October 1, 6:30-9:30pm

Monday, September 28, 2009

W. Eugene Smith: This Photo is Blowing My Mind

W. Eugene Smith, 1957
I recently came across a slide show of Kodachrome images on the Fortune magazine Web site. Included in the mix were a number of rare images by black and white masters Ansel Adams and Walker Evans. However, the real stunner of the group is the image above from W. Eugene Smith. In this glorious photo he manages to evoke both menace and mundanity and leaves me hoping the Fortune vaults contain more color surprises from Mr. Smith.

Sunday, September 27, 2009

Oh Public Road!

Algiers, Louisiana, 2001 © Peter Kayafas
This afternoon I'm traveling to Cambridge, MA for a meeting to plan my upcoming show at the Harvard Museum of Natural History. I'm looking forward to hitting the road. I hope to find a few stranded motorists along the way.

I've had photography about the American road and cars on my mind lately with Robert Frank's The Americans opening this week at the Met and Nicolai Howalt's stark and abstract Car Crash Studies on view at Silverstein. I've also been looking at the (relatively) new book by Peter Kayafas, O Public Road!

Sasha Wolfe introduced me to Peter's work over the summer and I've been engrossed by the images ever since. The book includes spare black and white photos from the last 20 years of Peter's travels across the US. I appreciate the echoes of Frank's 1955 journey.

You can view images from the book on Peter's Web site and order it directly from Purple Martin Press.

Sunday, September 20, 2009

Anderson Ranch

Wood shop at Anderson Ranch
In late July I taught a workshop called Seeing in Color at the Anderson Ranch Arts Center in Snowmass, Colorado. Apart from being felled by a killer flu and a crippling touch of altitude sickness, my experience was overwhelmingly positive. It was my first time in Colorado and only my second time teaching such an intensive workshop.

Snowmass and the surrounding area introduced me to a natural beauty my east-coast-eyes have rarely seen. Everywhere I turned I was surrounded by massive mountain peaks and thick formations of green pine trees. Even if Anderson Ranch wasn't set in such a divine location, it would still be a very special place. Artists of all disciplines go there to learn new skills, make work, connect with other artists, and recharge. The campus is usually abuzz with ceramicists, woodworkers, painters, and photographers creating work, discussing ideas, and attending classes. The energy and warmth sets the tone for your stay.

Snowmass. The hills are alive with the sound of art!
For my color workshop I worked with six talented students with wildly different approaches to photography. Over the course of five days I lead discussions on the history of color photography and the emotional aspects of color, critiqued their previous work, discussed how to build a career as a photographer, and took a few field trips to explore the area with our cameras.

At the end of the workshop I asked each student to send me their favorite image from the week so I could post them on my blog.

© Adrienne Zell


© Tess Freeman

© Roger Ewy

Mugging for the Camera

Recent mug shots from St. Petersburg Times
The Smithsonian photography blog, The Bigger Picture, points to a recent article in Time Magazine about the rise of mugshot features in online newspapers. As newspapers struggle to survive some are finding our insatiable thirst for voyeuristic content to be advertising revenue gold.

Mug shot from Least Wanted: A Century of American Mugshots
Yesterday I was at a vintage photography booth at the Brooklyn Flea market and bought some old mug shots. Vintage mug shots have such a depth of charm and quality they almost transcend the pragmatic nature of their purpose. Newer mug shots, like those on the St. Petersburg Times' Mug Shot site, are cheap by comparison; created and distributed with a bottom line efficiency.

Despite the differences in quality and format, both were created as pure ephemeral utility yet both have found a kind of permanence. The older mug shot photos continue to show up at flea markets and antique shops as curious and anonymous objects while the newer images live on as digital records forever Google-able to potential employers and grandchildren.

Wednesday, September 09, 2009

Big Night

Glamorous Hair © Tim Davis
Boy there are a lot of great shows opening in the next few weeks. Of course, I will be preoccupied with my own opening at ClampArt on Thursday night so I wont be able to see these other great exhibitions for a few days:

Ratcliffe-on-Soar Power Station, Nottinghamshire © Simon Roberts
Simon Roberts' We English at Klompching Gallery
If you can’t make it out to Brooklyn on Thursday, Simon will be giving a talk and book signing on Friday at 6:30pm. I may be missing his opening but I’ll be there for this!

Todd Hido A Road Divided at Bruce Silverstein
Todd is a big hero of mine and I always enjoy seeing his work.

Nicolai Howalt Car Crash Studies at Bruce Silverstein
I blogged about this wonderful series a few months ago and I'm excited to see the prints in person.

States of Union 8 © Alix Smith
Alix Smith States of the Union at Morgan Lehman
Fellow SVA grad and newlywed, Alix Smith, will be showing her new, highly anticipated body of portraiture work.

New York doesn't have exclusive rights on kick ass openings. In a land far far away called San Francisco, friend and all around great guy Brian Ulrich’s double header with Charnay is opening at The Koch gallery.

And, back in New York this Saturday...

Tim Davis’ The New Antiquity at Greenberg Van Doren Gallery

Talia Chetrit’s Reading at Renwick Gallery
Her work is intelligent and mesmerizing.

Sunday, September 06, 2009

Labor Day

Is about this:
John Vachon

Not this:
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